The annual event, organised by the Kansala Trust, highlights the significance of traditional initiation rites and was marked with the sound of traditional gunfire echoing across Bwiam, marking the start of this year’s Futampaf Festival, a sacred Jola rite of passage into manhood.
At the event, Ousman Bojang, Chief Executive Officer (CEO) of Kansala Trust, acknowledged that the fest plays a vital role in promoting social cohesion and ensuring that younger generations remain connected to their traditions and values.
“The goal of Futampaf is to preserve the Jola cultural heritage that was believed to be in existence for 12 centuries or more than 600 years. It also provides a platform to showcase and promote the cultural heritage” he explained.
Also speaking, Abdoulie Jobe, the minister for Tourism and Culture, disclosed that Futampaf initiation is regarded as a deeply significant cultural practice, symbolising the transition from adolescence to adulthood.
The old tradition, he added, has since been included in The Gambia’s UNESCO Pilot Inventory (2025) and that the next step is its consideration by UNESCO.
Almameh Gibba, National Assembly Member for Foni Kansala, acknowledged that Futampaf, rooted in the traditions of the Jola communities, is more than an initiation rite, but rather it is a living institution of identity, discipline, unity, and continuity.
‘‘It is a bridge between generations, where wisdom is transferred, values are instilled, and character is shaped.’’
He noted that a society without culture is like a tree without roots; unstable, which is undefined, and vulnerable.=
‘‘But a society that preserves its culture builds not only identity, but also peace, cohesion, and resilience.’’ he added.
The final day took an exhilarating turn with a wrestling showdown that captured everyone’s attention amid a full arena filled with excitement as competitors demonstrated strength, skill, and determination.
The three-day celebration was hailed as a resounding success with huge impact that will be felt for a long time.
