to the Los Angeles Times, what Bill Graham was to rock music, Oko Drammeh is to
African music. He has been a phenomenal fulcrum to the growth and promotion of
A disk jockey, music producer and festival impresario, Drammeh is well known for putting on concerts all over the world, the first being the African Music Festival that attracted over 10,000 attendees annually.
Drammeh is largely responsible for the increased popularity of African music worldwide and has continued to promote African music and its artistes through festivals, symposiums, concerts, and radio and TV programs.
Oko Drammeh was born in The Gambia to Kebba Landing Drammeh, a chief engineer at the Gambia Marine, and Ya Arret Mboge, a political activist.
He grew up working as a disc jockey for radio stations, nightclubs and social events.
Later, Drammeh became the producer and promotions manager of a Gambian musical band called Infang Bondi, through which he was able to learn more about the Gambian music scene. In 1981, he moved to Holland to join his family.
While in Europe, he realized that Infang Bondi and African music in general, was unique and could compete with sounds from other parts of the world.
This led him to launch the African Music Festival in 1983. Drammeh rightly predicted that there would be increased interest in African music across the world and he wanted to be on the frontline in offering it a platform that made African music and its artistes visible to the world.
The Festival gained popularity in Europe becoming one of the world’s largest African music events, featuring musicians, drummers and dancers from all over Africa. Most of the major names in African music including Miriam Makeba, King Sunny Ade, Angelique Kidjo, Salif Keita, Soto Koto Band and a host of others, have graced the Festival’s stages.
The event became one of The Netherlands’ biggest tourist attractions, gaining the support of the Dutch Ministry of Culture and City of Delft.
Consequently, Drammeh was handed numerous awards by the government of Holland and the City of Delft.
The Festival then spread to Amsterdam under the title “African Feeling Concert Series,” which exhibited African artistes who had made the European and American charts.
The concerts were held at Paradiso rock concert hall in Amsterdam, featuring Africa’s greats including Salif Keita, Manu Dibango and Youssou N’dour.
Due to increased popularity, the Festival made its debut in America in 1997 at the John Anson Ford Theatre in Hollywood, CA and was received wonderfully.
Drammeh was awarded a certificate of honor by the California State Senate for bringing the African Music Festival to America. Drammeh took the Festival farther by organizing the Nanning Music Festival in Nanning, China. After the success of the Nanning Festival, Drammeh was called on to organize a Convention of Music and Arts in Beijing with the aim of educating the Chinese people on organizing festivals, fashionable pop events and any other cultural events.
During his visit to China, Drammeh toured the country and established partnerships with the Chinese in 2009. In the same year, the Soto Koto Band was invited to Japan to inaugurate the City of Kyoto as the world’s green city. The band also performed in two concerts in Tokyo.
In a search for the roots of reggae, calypso and afro-Cuban music, Drammeh also went on an African cultural tour in the Caribbean islands of Jamaica, Cuba, Antigua, Martinique, Trinidad and Guadalupe.
Drammeh went on to bring African troubadours, also known as griots, from West Africa on a US tour.
He dubbed their concerts the “Night of the Griots,” a musical and cultural experience highlighting the history and poetic storytelling of a traditional musician and singer and his 21-string kora instrument.
It was an experience of acoustic kora music and singing in which griots and the traditional sound of kora music exposed authentic and traditional Mandingo music to American audiences, creating a platform for cultural exchanges between the USA and West Africa.
After years of organizing hundreds of concerts and festivals, the world music deejay and festival promoter founded Soto Koto Concert Management in 2000, which is a company that provides competent technical support services to artistes and event organizers.
His Hollywood based music company was named in memory of Drammeh’s late brother, who had a football club called Soto Koto Vous. Drammeh later formed the famous Soto Koto Band that entailed a group of preeminent musicians from all over the world who unified a diverse range of modern and ancient musical influences.
The band combined the rhythms of Africa, the music sensibility of modern dance music, and the intensity of big band jazz. The Soto Koto band collaborated with West African vocalist Abdel Kabirr to record an album titled “Gumbay Dance.”
Thereafter, the band worked together with renowned Gambian vocalist Paps Touray to record two albums “The Soto Koto Band” and “Mandingo Beat.” Soto Koto Band went on to work with Gambian kora master Jaliba Kuyateh to record “Kora Dance.”
While in Hollywood, Drammeh also worked as a music producer for Higher Music Octave whose music is distributed by Virgin Music Records in the USA and by EMI records worldwide.
In addition to producing several albums for the Soto Koto Band, Drammeh has also produced documentaries on African music and culture for BBC, written articles for Downbeat Magazine and has organized a large number of festivals, concerts, symposiums and other cultural exhibitions. He also gave a lecture series while he was in Austin, Texas.
In his continuous quest to promote African music, Drammeh has contributed largely to the African creative sector, especially in The Gambia.
In 2006, he was elected the public relations officer of the Gambia Music Union and re-elected in 2010. When the Union of Gambian Musicians (MUSIGAM) was formed in 2008, Oko Drammeh was elected the public relations officer.
He played a crucial role in the formation of the Gambia Copyright Office where he served as the secretary of the office until 2012.
That same year, Drammeh was elected as the secretary general of the newly inaugurated Royalty Collecting Society of The Gambia.
He is currently serving on the board of directors as the public relations officer of the Arterial Network Gambia that is an Africa-wide network of organisations, festivals, companies and individual artists working in the creative and cultural sector across Africa.
Drammeh is an artistic consultant at the Centre Culturel Blaise Senghor in Dakar, Senegal. The centre is a performing arts school specialized in Page 3 of 3 teaching drama, theatre, film, comedy and classical dance.
He believes that there is great potential in the African arts sector and he is determined to promote the arts and educate artists.
Due to his passion for African music and the great strides he’s taken to put African music on the map throughout his over twenty-year career, Oko Drammeh has earned the respectable position he holds in the music industry around the world.